Sheila kills her husband at the start of the film with a smoking gun. We don't know how or why. All we know is men are banging on her door and she escapes. There is a notable dialogue as she makes her way to a New Years celebration with Richard Basehart as the poet William William. As she goes up the stairs to John Friday's apartment (her producer) she wishes she could relive t...
three distant and diverse existences caught in a same tension: the search for their own identity and the sense of ''being'' in a present of continuous transformation. All of them was born after 1989 the end of all the revolutions.